i know, but listen.
for years i conscientiously abstained from listening to the doors, as my tolerance for the hagiography and hero-worship around morrison was skeletal and bare. ugh, especially those ubiquitous posters where his arms are outstretched and he's wearing that repugnant glare like a party mask. i've heard "roadhouse blues" enough to congeal six consecutive lifespans, etc. however, i watched "apocalypse now" over a year ago, and something about hearing "the end" while marlon brando is hacked apart with extreme prejudice...something just sent up the flagpole for me, and since then i've been listening to the doors after years of utter refusal. primarily, i've been listening to this album - aside from "horse latitudes," which is unintentionally hilarious, this is nearly perfect, entirely of its own. aside from "love me two times" and "people are strange" these songs have been nowhere near radio frequencies for the better part of four decades; absolute shame. i'm enamored of the guitar tone on these songs, especially "unhappy girl" and "moonlight drive." the arrangements are delirious, and no matter how overplayed "people are strange" may be, that carnivalesque, brechtian piano romp towards the end of the song will always act as a great sound of conveyance, transportive in a sense that is delirious and rightly strange. i care a great deal for the majority of their debut album and their third, "waiting for the sun." after that it's somewhat sporadic and prone to mediocrity, but "strange days" is the perect embodiment of what the doors' music was intended to be, fortunately avoiding the pratfalls and pretenses that such ambitions might bring. quite good, evocative - to be listened to exclusively during the late hours of the night.
download:
http://www.mediafire.com/?2xi4bmjedyn
what's the password?
ReplyDelete